Nothing has felt right since Elle rented out her house . . .
I’M IN YOUR HOUSE
There’s a new coldness. A shift in the atmosphere. The prickling feeling that someone is watching her every move from the shadows.
I’M IN YOUR HEAD
Maybe it’s all in Elle’s mind? She’s a writer – her imagination, after all, is her strength. And yet every threat seems personal. As if someone has discovered the secrets that keep her awake at night.
AND NOW I KNOW YOUR SECRET
As fear and paranoia close in, Elle’s own home becomes a prison. Someone is unlocking her past – and she’s given them the key…
“After all, who owns a story? The person who tells it? The person who reads it? The person whom it is about? Or all of them?”
I received this ARC from the publisher in exchange for an honest review
I wasn’t expecting a lot from this book and up until the 25% mark I wasn’t wholly invested but by the time I reached the end, I could barely put the book down. Elle is an internationally bestselling author freshly returned from her writer’s retreat in France and on the cusp of a deadline but after renting out her apartment on Airbnb something seems amiss, and when odd little things keep happening… Elle has to wonder: is somebody in my house?
This book isn’t predictable in the slightest. I’ll admit, I got to about the 43% mark and had two suspects in mind: it was either the most obvious person in the planet (just because they hated each other) or the other person purely because they said something a little odd that had me thinking “hang on a second, that wasn’t right”. I was wrong. Both times.
Clarke doesn’t rely on big twists and thrills to get you on the edge of your seat. There’s an art of subtlety to You Let Me In, it starts with a trickle and ends with a bang. That unease you feel brewing in your stomach is gradually built up throughout the novel until you’re left frantically flicking through the pages of your book asking yourself: Is Elle lying?, Is she paranoid? Who is it? What do they know?
By the end of it, I was deeply unsettled and felt a lot of ways about the reveal of Elle’s stalker and the relationship between them. Many feelings I won’t discuss for fear of spoiling the twist but can definitely see many people relating to the her stalker in some way or another…
TLDR: A brilliantly paced, suspenseful and chilling tale of a woman on the cusp of losing everything and a past that threatens to break free. It starts with a trickle and ends with a bang.
Will you be reading You Let Me In?
Let me know in the comments below.
I don’t mean to be so hit and miss with these anticipated reads posts but at least I only missed two months this time and not an entire year.
I’m extremely excited to dive into Schwab’s latest release despite it being middle grade (I will quite happily read anything this woman writes ngl). I hear there’s lots of Harry Potter references in it and I don’t know about you but I’m sold already. The premise for These Rebel Waves and Mirage both sound amazing and I seem to be reading all the sci-fi/fantasy lately so I can’t wait for either of these.
Check out all the summaries below and see which titles tickle your fancy….
When the Bat’s away, the Cat will play. It’s time to see how many lives this cat really has….
Two years after escaping Gotham City’s slums, Selina Kyle returns as the mysterious and wealthy Holly Vanderhees. She quickly discovers that with Batman off on a vital mission, Batwing is left to hold back the tide of notorious criminals. Gotham City is ripe for the taking.
Meanwhile, Luke Fox wants to prove he has what it takes to help people in his role as Batwing. He targets a new thief on the prowl who seems cleverer than most. She has teamed up with Poison Ivy and Harley Quinn, and together they are wreaking havoc. This Catwoman may be Batwing’s undoing.
Adeluna is a soldier. Five years ago, she helped the magic-rich island of Grace Loray overthrow its oppressor, Argrid, a country ruled by religion. But adjusting to postwar life has not been easy. When an Argridian delegate vanishes during peace talks with Grace Loray’s new Council, Argrid demands brutal justice—but Lu suspects something more dangerous is at work.
Devereux is a pirate. As one of the outlaws called stream raiders who run rampant on Grace Loray, he pirates the island’s magic plants and sells them on the black market. But after Argrid accuses raiders of the diplomat’s abduction, Vex becomes a target. An expert navigator, he agrees to help Lu find the Argridian—but the truth they uncover could be deadlier than any war.
Benat is a heretic. The crown prince of Argrid, he harbors a secret obsession with Grace Loray’s forbidden magic. When Ben’s father, the king, gives him the shocking task of reversing Argrid’s fear of magic, Ben has to decide if one prince can change a devout country—or if he’s building his own pyre.
As conspiracies arise, Lu, Vex, and Ben will have to decide who they really are . . . and what they are willing to become for peace.
In a star system dominated by the brutal Vathek empire, eighteen-year-old Amani is a dreamer. She dreams of what life was like before the occupation; she dreams of writing poetry like the old-world poems she adores; she dreams of receiving a sign from Dihya that one day, she, too, will have adventure, and travel beyond her isolated moon.
But when adventure comes for Amani, it is not what she expects: she is kidnapped by the regime and taken in secret to the royal palace, where she discovers that she is nearly identical to the cruel half-Vathek Princess Maram. The princess is so hated by her conquered people that she requires a body double, someone to appear in public as Maram, ready to die in her place.
As Amani is forced into her new role, she can’t help but enjoy the palace’s beauty—and her time with the princess’ fiancé, Idris. But the glitter of the royal court belies a world of violence and fear. If Amani ever wishes to see her family again, she must play the princess to perfection…because one wrong move could lead to her death.
Cassidy Blake’s parents are The Inspectres, a (somewhat inept) ghost-hunting team. But Cass herself can REALLY see ghosts. In fact, her best friend, Jacob, just happens to be one.
When The Inspectres head to ultra-haunted Edinburgh, Scotland, for their new TV show, Cass—and Jacob—come along. In Scotland, Cass is surrounded by ghosts, not all of them friendly. Then she meets Lara, a girl who can also see the dead. But Lara tells Cassidy that as an In-betweener, their job is to send ghosts permanently beyond the Veil. Cass isn’t sure about her new mission, but she does know the sinister Red Raven haunting the city doesn’t belong in her world. Cassidy’s powers will draw her into an epic fight that stretches through the worlds of the living and the dead, in order to save herself.
Emily thinks Adam’s perfect; the man she thought she’d never meet. But lurking in the shadows is a rival; a woman who shares a deep bond with the man she loves.
Emily chose Adam, but she didn’t choose his mother Pammie. There’s nothing a mother wouldn’t do for her son, and now Emily is about to find out just how far Pammie will go to get what she wants: Emily gone forever.
The Other Woman is an addictive, fast-paced psychological thriller about the destructive relationship between Emily, her boyfriend Adam, and his manipulative mother Pammie.
What book are you anticipating this August?
Let me know in the comments below. I’d love to hear your thoughts.
Because I’m far too lazy to post individual reviews, (I know, I’m sorry), I’ve decided to jam them into monthly wrap-ups and do big ol’ long reviews for my absolute favs and for ARCs too. If I actually manage to do this every month until the end of the year I’ll be seriously bloody impressed with myself. For the first time in what feels like forever (the start of the year), I’ve had a good reading month. Is the book slump gone? I don’t know but I reaaaaally hope it is; I’ve managed to read 6 novels and 5 short stories this month and that definitely feels like progress.
1. Scythe by Neal Shusterman ● rated 5 Stars
A world with no hunger, no disease, no war, no misery. Shusterman brilliantly explores a world where certain individuals (Scythes) are the only ones allowed to take a life in order to keep the size of the population under control. You can checkout my full review here.
2. Thunderhead by Neal Shusterman ● rated 5 Stars
Shusterman’s sequel to Scythe is amazing, heartbreaking, full of twists and turns and honestly I can’t rave about this book or this series enough. Check out my very long and rambly review of this one here.
3. Notes on a Nervous Planet by Matt Haig ● rated 4 stars
Haig’s long awaited sequel (of sorts?) to Reasons to Stay Alive. It’s a personal and vital look at how to feel happy, human and whole in the twenty-first century. Again, Haig has written a book that makes me feel seen and understood. Highly recommend to anyone struggling with anxiety.
4. Bright We Burn by Kiersten White ● rated 5 stars
Deliciously dark, brutal and ruthless. Bright We Burn is a deeply satisfying ending to an amazing trilogy where LADA IS THE ONLY CHARACTER THAT MATTERS. Everyone else is irrelevant. I mean, I loved this book loads and I’m in a glass case of emotion.
5. Fever Dream by Samantha Schweblin ● rated 4 stars
Deeply unsettling tale of a boy with a broken soul and a woman who lays dying in a rural hospital clinic. I’m still shuddering at the thought of this book.
6. Smoke in the Sun by Renee Ahdieh ● rated 4 stars
The sequel and ending to Ahdieh’s Flames in the Mist duology. My only opinion of this series is that I need more Okami.
I am the absolute worst when it comes to deciding what to read next. Usually because I decide on a certain number of books and then spot something shiny on goodreads and automatically think ‘ooooh no, I have to read this next’ and then just forget about my actual list of books I needed to read.
So here’s the list of titles I may or may not end up reading next month…
I am such a big, big fan of short stories. It takes a very special kind of genius to be able to craft a story in such a limited amount of space, and do it well. Like poetry, every word, sentence and paragraph is important. There’s no room for filler. Everything needs to hold meaning and be vital to the story as a whole.
I’ve listed my ten absolute favourites below, a number of which I studied at Uni or used in my dissertation about Poe/Hawthorne and others are just ones I’ve read out of curiosity/love of the author’s work. For a list of the short stories I’ve read this year, feel free to check out the ‘Deal Me In’ Short Story Challenge I’m taking part in.
1. The Tell Tale Heart by Edgar Allan Poe
The first short story I ever read by Poe and ultimately the one that pushed this man to the very top of my favourite authors list. Relayed by an unnamed narrator who endeavors to convince the reader of his sanity while simultaneously describing a murder he committed. Another short story worth a mention that is quite similar to this is Poe’s The Black Cat. Both rife with the gothic, murder, doubles, the uncanny and so on…
2. The Fall of the House of Usher by Edgar Allan Poe
I am absolutely fascinated (and you could say obsessed) with this one. It’s probably my favourite Poe story I’ve read thus far. The Fall of the House of Usher recounts the terrible events that befall the last remaining members of the once-illustrious Usher clan before it is rend asunder. Poe believed in “totality” wherein every element and detail is related and relevant. Everything from the setting, to the tone, to the characters, to the dialogue is important and relevant. Everything tells a story and is a symbol of something much larger. This story has often been analysed as a description of the human psyche.
3. Kino by Haruki Murakami
This was the type of story that made me fall in love with Murakami’s writing to begin with. The true meat of the story exists between the lines, and is one about the discovery of one’s self and understanding that only you can change your life. Delicately tinged with the supernatural, Murakami never fails to weave an interesting tale that leaves you wanting more.
4. The Minister’s Black Veil by Nathaniel Hawthorne
I slaved away over Hawthorne (and Poe’s) short stories for my dissertation and this beaut was one of them. The Minister’s Black Veil is a moral parable of sin and guilt in 18th Century Puritan New England. The story is simple: Reverend Hooper arrives for Sunday services one day wearing a black veil across his face, and from that day on until the day he dies he is never seen without that veil. Opposing the ideals and beliefs of the Transcendentalism movement, Hawthorne emphasises human fallibility and the proneness to sin and self-destruction.
5. The Birthmark by Nathaniel Hawthorne
A tale of a great scientist who wonders whether the birthmark on the cheek of his beautiful wife can be removed. Hawthorne explores the theme of perfection, an exclusive province of heaven that can’t be found on earth, and the devastating effects Alymer’s quest for perfection has when it is found.
6. Lamb to the Slaughter by Roald Dahl
Dahl didn’t just write for children, he wrote for adults too. I absolutely love this man’s brain. Taken from the short story collection Someone Like You, Lamb to the Slaughter is essentially the story about the perfect crime. But what was the crime? And how did Mary Maloney cover it up? No spoilers. You need to read it. Only four pages long and is as close to perfection as perfection can be.
7. The Lottery by Shirley Jackson
The Queen of Horror. The story describes a fictional small town which observes an annual ritual known as “the lottery”, which results in the killing of one individual in the town. I went into this short story blind (so that summary may be a bit of a spoiler) but I was shocked and unsettled, and after deeper analysis there’s so much depth to this story. It’s been described as one of the most famous short stories in the history of American literature so if that doesn’t tell you that you should read it then I don’t know what will.
8. The Bloody Chamber by Angela Carter
I need to read a whole heap more of Angela Carter because I absolutely loved this one. The Bloody Chamber is based on the French folktale of Bluebeard, a wealthy violent man in the habit of murdering his wives. This along with the other stories in the collection challenge the way women are represented in fairy tales, contrasting traditional elements of Gothic fiction – which usually depicted female characters as weak and helpless.
9. The Yellow Wallpaper by Charlotte Perkins Gilman
This is a short story that has stuck with me for many, many years, and is often considered an important early work of American feminist literature – illustrating the 19th century attitudes towards women’s physical and mental health. The story is a collection of journal entries written by a woman whose physician husband (John) has rented an old mansion for the summer. She is forbidden from working, and is encouraged to eat well and get plenty of exercise and air, so she can recuperate from what he calls a “temporary nervous depression – a slight hysterical tendency”. Written as a cautionary tale of the “rest cure” it is often perceived as gothic horror.
10. Hills Like White Elephants by Ernest Hemingway
This list would be incomplete without even the briefest of mentions of Hemingway. The man is the master of the short story. This story focuses on a conversation between an American man and a woman at a Spanish train station while waiting for a train to Madrid. Hemingway provides very little context or background to these characters leaving the reader to infer their own conclusion from the dialogue. Hemingway was a very minimalist writer, getting the most out of a story by writing the least – omitting important things or events. He called this the ‘Iceberg’ theory.
What are some of the best short stories you’ve read?
Dying to read any of the above? Have any on your list that you think I’d be interested in? Let me know in the comments below. I’d love to hear your thoughts.
A world with no hunger, no disease, no war, no misery. Humanity has conquered all those things, and has even conquered death. Now scythes are the only ones who can end life—and they are commanded to do so, in order to keep the size of the population under control.
Citra and Rowan are chosen to apprentice to a scythe—a role that neither wants. These teens must master the “art” of taking life, knowing that the consequence of failure could mean losing their own.
“Hope in the shadow of fear is the world’s most powerful motivator.”
I have been in the biggest of book slumps until I stumbled across this book and quite literally got sucked in until I found myself finishing the second book demanding more. I wish I’d found this series sooner. It featured all of my favourite things: a smart and unique plot, murder, a battle of morals and did I mention, murder?
This is a world that is so completely unnatural that it feels like reality. In 1,000 years who is to say that we won’t live in a world similar to that of Shusterman’s creation. That is the beauty of it. It all seems perfectly plausible no matter how far fetched it appears at points. He has taken the roots of reality, twisting and bending and breaking it until we have this new form of Utopia where war, disease, misery, hunger etc. no longer exists. Not once does it feel unnatural because the roots of humanity remain – particularly among the Scythe who are not ruled by the Thunderhead. They think for themselves, they abide by their own form of ethics and morals as they go about the hard task of killing (“gleaning”) another human being. They feel remorse. They cry. They feel hatred and prejudice. They’re still human.
Citra and Rowan are such precious little cinnamon rolls. The story is split between them as they’re both reluctant apprentices to Scythe Faraday in order to secure their future as a Scythe. Citra is your typically ambitious go-getter Slytherin with a little splash of Ravenclaw running through her veins. Meanwhile, Rowan is a self-confessed “lettuce” – unimportant and forgettable. Their journey through this book isn’t easy, each in their own very different way. They both reach a turning point that seperates and defines their journeys indefinitely.
Other things I enjoyed:
It didn’t center itself around a romantic plotline. There were the barest hints of one but Shusterman didn’t let it detract from the story as a whole which I’m sooooo glad about.
Can I shout anymore about the concept? Legal murder. I am fascinated (in the most non-creepy of ways).
Scythe Faraday. That is all.
You can’t die (unless you’re gleaned of course) but anytime you’re made ‘deadish’ by either an accident or on purpose (like throwing yourself off a building) your body is taken to a revival unit to be brought back to life
When the characters are evil, they’re evil. But it’s an evil that you can relate to. It’s an evil that you can see exist in the world around you. It’s not world domination. It’s lack of empathy, lack of remorse, decadence, narcissism…
Rowan and Citra take opposite stances on the morality of the Scythedom, putting them at odds, in the second novel of the chilling New York Times bestselling series from Neal Shusterman, author of the Unwind dystology.
Rowan has gone rogue, and has taken it upon himself to put the Scythedom through a trial by fire. Literally. In the year since Winter Conclave, he has gone off-grid, and has been striking out against corrupt scythes—not only in MidMerica, but across the entire continent. He is a dark folk hero now—“Scythe Lucifer”—a vigilante taking down corrupt scythes in flames.
Citra, now a junior scythe under Scythe Curie, sees the corruption and wants to help change it from the inside out, but is thwarted at every turn, and threatened by the “new order” scythes. Realizing she cannot do this alone—or even with the help of Scythe Curie and Faraday, she does the unthinkable, and risks being “deadish” so she can communicate with the Thunderhead—the only being on earth wise enough to solve the dire problems of a perfect world. But will it help solve those problems, or simply watch as perfection goes into decline?
“Death must exist for life to have meaning.”
Are there enough words in the English language to describe how amazing and wonderful this book is? I don’t think so. Two books in and I am still blown away by the originality and the concept of this series. You’ve got your stabby murder, political intrigue, plot twists on top of plot twists, an (almost) utopia, and your all-knowing, all-seeing, ruler of (almost) all humanity. Shusterman asks a lot of questions about humanity, about morals, and about the sanctity of life without ever asking a single question.
The plot for Thunderhead was a lot slower this time round with the additional heap of chess pieces littering the board of MidMerica making things a lot more interesting. There are bigger problems at bay with the rivalry between the Old and the New-Order Scythes htting an all-time high, and Scythe Lucifer out there like the true Angle of Death he is hunting down and murdering the Scythes he believes to be unworthy of the job.
The introduction of Greyson Tolliver as a central character still has me feeling a little “meh” but I am definitely intrigued, even more so after the ending. I was less fond of his character than his actual storyline (which has me yearning to find out why he, Greyson Tolliver, is so important. Why him?). He was just a little too bland for my liking.
More worldbuilding! Just when you thought this world couldn’t get any bigger or more amazing, it does! We get to explore more of the Mericas in particular a certain charter region modeled after The Wild West which has no laws and no authority. More interestingly, we get to visit Endura, a small city built on water that is not monitored or governed by the Thunderhead. It is home to the World’s Scythe Counsel of Grandslayers but also serves as a historical attraction for tourists and a refuge for Scythes’ families. ~Spoilery~ things happen there and I just have too many feels about it.
The ennnnnnnnding, you guys! The ending. It was bold, it was unexpected and quite simply, phenomenal. When the Thunderhead screamed. I felt that. I’m still shook and absolutely heartbroken, and I can’t believe I have to wait an entire year until I get to find out what happens next.
Other things I enjoyed:
The general existence of Scythe Marie Curie, the great Grandame of Death. I absolutely love her character and how protective she is of Citra. She is a precious cinnamon roll and should have been protected at all costs.
The explosive return of a certain someone
Scythe Constantine, what a pure and wonderful cinnamon roll. I have a feeling he’ll have an even more central role in book #3.
Did I mention the Thunderhead screamed
Speaking of the Thunderhead, I am absolutely fascinated by his mindset and thought process. Especially when he discovered a particular thing towards the end…
The Thunderhead has f e e l i n g s
Watching Citra blossom and grow into her role as a Scythe. My girl is growing up! She is going to be one woman y’all don’t want to mess with in the next book. I feel that.
Even though Citra and Rowan were very much apart for the majority of this book they were still so intimately intertwined, and their feelings for each other are sooooooooo cute.
The beautiful relationship between Citra and Scythe Curie. No one touch me. I love it too much. They are each others number one fans. They are a family aND THEN SHUSTERMAN DID THE THING. NOPE.
Rowan’s general attitude about getting the absolute shit kicked out of him and not giving a single damn
Did I mention the e n d i n g!
Have you read Scythe and Thunderhead?
Let me know what you thought in the comments below.